Where the feck…


Just back from a few days in Ireland.   Won’t bore you with all the photos, but this is a special secret place we discovered whilst looking for somewhere to squat (in the bladder sense).

County Cork, Ireland

An abandoned house.  Abandoned not too long ago, by the look of things; the building was structurally fine and in the garden, brambles were still just building up strength for the rampage.

County Cork coastline

I scrambled through the gateway, followed the overgrown path to the porch and turned around. I expected a decent view, but this…

garden to coast, County Cork, Ireland

can you imagine opening your curtains to this of a morning?

Abandoned house, County Cork, Ireland

I couldn’t get close enough to look in the windows, see what state the inside was in.  I love abandoned houses: their potential; the latent promises.  When we reached the next village, I bought a lottery ticket.  I didn’t win.

County Cork, Ireland

This was round the corner from the cottage.  We happened to be there when Cork hedgerows were at their finest.  There were three main staples – red fuchsia, orange montbretia and a lipstick-pink rambling rose.   Sometimes all three tussled for the sunlight and attention; here the roses absolutely won.


VM by VM

The woman herself – Vivien Maier – an enigmatic and secret snapper.

Her work was discovered by chance when John Maloof bought some negatives which he hoped would help in his research of his local area in Chicago.  They didn’t, but he was struck by the intimacy and empathy in the photos.  He subsequently collected the rest of her work (about 10,000 negatives) which he has archived and promoted.

More Vivien M

Walter Martin and Paloma Muñoz

The worst of the winter weather is over now, I think.

Any nostalgia for the crisp voluptuousness of virgin snow can be indulged in the work of Walter Martin & Paloma Muñoz.

Martin was born in Virginia, studied Literature and gained an MFA.  Muñoz is originally from Madrid, started in Fine Art, but found the curriculum restrictive and left – “I decided to take my education into my own hands”.  The couple met in 1993 in New York, moved in together shortly after and have been collaborating since 1994.

Their most famous, and prolific, series is Travellers; intricate Lilliputian snowglobes which are beautifully photographed with a medium format (Mamiya) camera; either the globes or the photos or both can be exhibited.

The immediate effect is one of simple, almost childlike prettiness, but look closer and the scene is slightly warped.  Sometimes the details are comically absurd like the passing men, one doffing his hat, the other his head:

Meeting and Passing

Others show desolation:

Traveler 170 at Night

And some utter tragedy:

I Have a Future

In a similar vein is their Islands series: